The Mummies of Guanajuato

The city has put 119 of the bodies, some still bearing hair, eyebrows, and folds of skin, on display. Author Tom Weil writes, “In the figures one sees both the living and the departed, death with a human face and humanity with the skull beneath the skin.”

Ray Bradbury, who visited the museum in the 1940s, wrote, “They looked as if they had leaped, snapped upright in their graves, clutched hands over their shriveled bosoms and screamed, jaws wide, tongues out, nostrils flared. And been frozen that way. All of them had open mouths. Theirs was a perpetual screaming.

“The experience so wounded and terrified me, I could hardly wait to flee Mexico. I had nightmares about dying and having to remain in the halls of the dead with those propped and wired bodies. In order to purge my terror, instantly, I wrote ‘The Next in Line.’ One of the few times that an experience yielded results almost on the spot.”

(via Futility Closet)

"21st Century Self-Portrait"

Based on a 3D scan of his face & CT scan of his skull, coupled with his filigree aesthetic the piece allows both forms to be viewed simultaneously juxtaposing the newfound reaches of our vision, discovery & technology against our vulnerability, privacy & humanity. The disembodied head suggests our increasing digital disconnect from the physical world & reexamination of reality.  


Alejandro Jodorowsky's "Dune"

On avant-garde filmmaker Alejandro Jodorowsky's gorgeously detailed but ultimately unrealized version of Dune:

I don’t think it really weighs on him, because he honestly feels that he made the film. He feels that it’s a success. When he’s talking about drawing the storyboards, he doesn’t say, "We drew the pictures," he says, "We were shooting. Moebius was my camera." So in his mind it’s really done, and that’s kind of what you’re left with at the end of that project. There’s that book. It’s not a failure because they never went out to the desert with their cameras and their crew and their cast. So it stopped at this kind of perfect moment of closure with that book. And maybe that’s as far as it was supposed to go. He said he wanted to have the film be a prophet, that he wanted the film to change the world. I mean what happens to prophets? Prophets are killed.

Via The Verge


In his most recent series “Psychogeographies,” Yellin uses multiple layers of glass, each covered in detailed imagery, to create a single intricate, three-dimensional collage with a mix of magazine cut-outs and acrylic paint. When pressed to describe what he does, Yellin struggles, but not with a lack of words.